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Study Notes

Guidance on Project Writing

Projects should be a written exploration of a subject related to the course module. Direction or advice will be given on the subject matter during the course. Thought needs to be given to the content and layout of the project before commencing. Your Tutor may ask for a project plan outlining in a series of headings the intended layout and subject matter. Advice may be offered at this stage about your project.

Layout
In general, the project should have:

  • A title which allows the reader to know the subject matter of the project.
  • An introduction which tells the reader what it is about, the issues dealt with and the approach taken to prepare it (methodology) it that is relevant.
  • A body which describes and analyses the issues under separate headings. A progression based on what, where, how, when and why, approach might be considered. The approach should be to first describe the subject fully, assuming no prior knowledge by the reader, and then to discuss it. Both description and discussion benefit from references, including short quotations when appropriate, to literature on the subject.
  • A summary and conclusion which reminds the reader of the most significant issues dealt with in the body of the project. Any major conclusions which you wish to draw may be appropriate at the end.
  • An attachment or appendix which list reference notes made in the body of the text and a bibliography on the subject. If the project included any detailed figures or statistics it may be appropriate to include these in an appendix.

General Hints

  • Do most of the necessary reading in advance and highlight or take notes of important points you may want to refer to later in your project as you read. You may want to classify your reference notes under possible subject headings.
  • The project should be typed and broken up into logical "chapters". While it is not an English test, the grammar, spelling and style should permit reading without irritation or confusion. Give a friend or colleague a draft for advice.
  • If you quote any author put it inside quotation marks and list the reference. The reference may be a number or more usually an author's name with the full title noted in the back.
  • If you are having difficulty talk to others and get advice. Those who have done projects or thesis themselves may be of most use, but use their ideas only as a guide or stimulus for your writing; otherwise you could be put off focus. Sometimes it can help to talk to yourself with or without a tape recorder. This gets the mind working. Keep a notebook to hand always - ideas may come at any time, and if you don't record them you may forget them.

Essay Writing Techniques

  1. Think carefully about the title will it inform the reader properly as to what the essay is.
  2. If the title is given to you, underline key words and think carefully about the title.
  3. Gather information from the radio, newspapers, Internet, class notes, course material, lecture notes and from books etc.
  4. In order to get good marks it is essential that you analyse what you can on the subject.
  5. Put all your thoughts and notes on paper marked rough work. It doesn't have to be in any particular shape or order. After a while your ideas, thoughts and concepts on the subject will be on paper.
  6. Organise your notes into a simple outline plan. Beginning, middle and end.
  7. Use headings where necessary.
  8. Write a draft and afterwards come back to it, check that it looks ok and has covered everything you wanted to cover. Check this using your rough work notes.
  9. If you are happy with your first draft and have corrected spelling mistakes, write a final draft.
  10. You should use page numbers if you are handing in loose sheets.
  11. Before handing your essay in, always check your spelling. Also the final draft must have good handwriting if not done on a computer and it be well presented.
  12. Always proof read what you have done before you hand in anything.

Roman Painting and Sculpture

Sculpture

Greek

  • Hellenic ideal was the perfect shape.
  • Concerned only with the generalized outline.
  • Bust of Pericles-Idealised bust (perfect nose, lips, no wrinkles). Very different from Roman realism. No V-cut in eyes, severely drilled hair, no hair on eyebrows. He is a “barber’s dummy”.
  • First hint of Greek modern portraiture was with by the sculptor Demotrios who did a sculpture of a Corinthian General Pellichos. He was a “maker of men”.
  • Greek Relief sculpture depicted mythology/Romans depicted historical events.

Roman

  • 6th Century-clay representatives of their dead/death-masks/wax facial images of ancestors which were kept in atrium and paraded during funeral processions.
  • By 150 BC the masks had become extremely realistic.
  • Romans began to produce original works of art which blended Etruscan-Roman realism with Greek idealism.
  • Began to get more realistic with the Ara Pacis which showed figures engaged in conversation, children showing their boredom. Things such as V-cut
  • Personality Cult-Arch of Titus, Emperor is glorified and chariot twisted inorganically so that we see his full face. By the time of Severus we see a build-up of the principal personality and a tendency to present all figures frontally to the spectator.

Bust of Emperor Commodus

  • Contemporary marble bust.
  • Portrayed as the Greek mythological hero, Hercules, and is dressed in the skin of the Nemean lion.
  • In his right hand he carries a club and in his left, the golden apples from the garden of Hesperides.
  • The depiction of the first of Hercules’ labours is a “principle of abbreviation’”-the other labours are implied.
  • Unrealistic-The smooth face was polished until it gleamed and the drilled curls were left rough.
  • The hair was painted gold which was in contrast to his snow-white face.
  • The sculptor shows great skill in his rendering of the wooden club, animal skin, hair, muscles, veins, fingers and eyes (V cut pupils).
  • Below the bust are iconographic images:
  • Shield has figure of mythological Gorgon (diving power).
  • On either sides are animal horns (prosperity brought by him).
  • Orb (heavenly sphere)
  • Figure of Amazonian on the orb (allude to 9th labour of Hercules).
  • Still gets across how Commodus was sadistic pervert who beat beggars with clubs.
  • Vain-clearly a vain man shown by how much the hair is drilled, the effeminate hands and the fact that he is shown as Hercules.

Bust of Philip the Arabian

  • Marble bust of Roman Emperor Philip.
  • Reveals his anxious, shifty character with eyes.
  • Harshly realistic. We see his worried eyes under his protruding brow.
  • Eyes seem to look upward for divine inspiration.
  • Turn of the head was introduced as formal device.
  • Strength of character shown through his long, bony, Semitic nose, thick-lipped mouth and deeply lined face.
  • His hair is also severe.
  • The most remarkable thing is that the sculptor has almost captured a moment in time as if his face were moving.

Trajan’s Column

  • Commemorates-Trajan’s conquest of Dachia.
  • On the top is a statue of the emperor himself.
  • Here we find the continuous style where the same character is repeated from scene to scene in a single undivided composition.
  • It had a continuous spiral but not a continuous narrative. Mainly stock scenes.
  • 100 feet tall-AD 113-Commemorates his two Dacian campaigns
  • The carved band winds spirally for 215 yards up the shaft.
  • Contains some 2,500 figures.
  • Anciently it was tricked out with colour.
  • First 4 bands:
  1. Emergence of Roman army from a fortified city, crossing the Danube in two columns (one led by Trajan), surveyed by the god of the river. The busy life of the river.
  2. Emperor seen outside his camp. Soldiers building camp.
  3. Emperor holding a council of war
  4. Veiled as a high priest he is present at a sacrifice to mark the beginning of the campaign.
  5. He is on an eminence, giving orders and surveying the scene.
  • Stone cutting shows sureness and sensibility. Impression of depth and perspective.
  • Perspective- in sixes and sevens. All further figures are placed above the nearer ones. Yet, Wheeler says that it works.
  • The further figures rise head and shoulders above the nearer ones.
  • Find ourselves in the midst of a crowd of hurrying men with the calm Emperor close at hand.
  • Roman army not depicted correctly-their dress is Hellenistic.
  • Importance-Tells us more about the army in the field then “any single document”.

The Odyssey

Odysseus

  • He is favoured by the Gods (not Poseidon) and respected greatly by Mortals.
  • He is a living series of contradictions-much more complicated person than the typical hero of an epic.
  • This includes the fact that he seems to love and miss Penelope a-refusing immortality to be with her, yet willingly sleeps with Circe and Calypso on numerous occasions.
  • He is self-disciplined sometimes in the case such as the Lotus eaters but often his curiosity is the bane of his troubles i.e with the Cyclops. He wants to gain as much knowledge as possible as seen with the Sirens.
  • He can also be merciful and kind such as in letting the bard/herald off and warning Anphinomus but then brutal such as his killing of the dozen disloyal maidservants.
  • He also is very ‘wily and cunning’ which is shown by the fact that he often lies (even to his family) to help him. He does not trust Calypso and makes her swear an oath that she will let him go/he lies to Penelope and says he is from Crete/he tricks Polephemus (Nobody).
  • We also see a lot of confidence and he is good at charming people. In his speech to Nausicaa, even though he is naked/being nice to Athene and Calypso/charming the Phaecians. Yet he can be blunt when the occasion demands such as in the Phaecian games. As Athene says “you are so persuasive”.
  • Odysseus is also very intellectual and unlike many other epic heroes, he calculates exactly what he is going to do before he does it.
  • He is also a master of disguises and tricks people numerous times about who he is. Also is Troy we find out that he disguised himself as a beggar.
  • He is seen to grow through the epic which is shown when he deals with the Suitor’s insults in his palace and does not fight Melanthius after he has kicked him. This is in contrast with what took place with the Cyclops earlier on.
  • His biggest difficulty is controlling his men-Cattle of Helios, Aeolus’s bag of wind, men wanting the stay after defeat of Cicones.
  • He does, however, need a lot of help from Athene throughout the epic.

Penelope

  • She is a devoted wife and mother (unlike Clytemnestra) who misses Odysseus dearly. She always has hope that he will return. She also does not want to cause a civil war-noble.
  • She is also a very complicated woman.
  • She lacks he natural character to remove the Suitors from her house.
  • However she has cunning which is admitted by Antinous who says that she has misguided the Suitors for nearly 4 years until her servant betrayed her.
  • She does this through the weaving of the shroud and the contest of the bow and axes. She also does it through sending private messages to all the Suitors who think they are in with a chance and saying she won’t pick a husband because of her sons youth.
  • We also see her cunning when she tricks Odysseus in regard to his bed.
  • However, she lacks the natural strength to remove suitors in that she cannot get rid of them/Telemachus ends up ordering her around/Athene has to put her to sleep/she even calls for death near the end.

Planning And Organising Study

Time Management and Study
Time management simply means planning your time. In study, it involves organising assessment deadlines (e.g. for essays) into paced, easier-to-meet, interim deadlines that take account of the other demands on your time.

Time management can dramatically decrease the pressures you create for yourself during your course of study. It can enable you to pace your study, and so experience study as a source of pleasure, rather than of stress.

Time management can free you from the limitations and the anxieties of goal-oriented study. Without excessive pressures on your time, you will be able to relax and explore the subjects that interest you for your own pleasure. Such learning will help you to develop your understanding and widen your knowledge much more effectively.

Clearly, such learning is much more rewarding: you will be responding to your own desires, rather than the (apparent) desires of others.

Managing Your Time
To manage your time effectively, you will need to begin by recording times that are fixed. Fixed times will include the times of lectures, seminars, assessment deadlines (usually provided at the start of each academic year or term), tutorials and personal appointments. Fixed times will also include times to meet your regular responsibilities, such as childcare and work. Record these on your weekly plan and, in the case of assessment deadlines, on your monthly plan as well.

The time that remains on your weekly plan is your personal time. You will need to divide this time into Leisure Time and Study Time. Leisure time includes time regularly set aside for sharing with the other people in your life. If you fail to set this time aside, the problems that will arise will affect your ability to study. Record your leisure time on your weekly plan. The time that remains is your study time.

Study Time
Study time will be used for:

  • Preparation of plans
  • Reading and note-making
  • Production of essays and assignments.

To reduce the pressure on this time, you should do as much of your reading as possible whilst carrying out other tasks, such as travel. Wherever you go, inside or outside, if you are on your own, carry a book to read.

To manage your study time effectively, you will need to refer to your monthly plan. Your monthly plan shows when assessments are to be handed in. You should now record when you will begin work on each assessment on the monthly plan.

Divide the time between the start and end date of each assessment into the stages - preparation reading and production - necessary to complete each assessment. Record the deadline of each of these stages on your monthly plan. Record your short-term stage deadlines on your weekly plan - for example, first draft of essay.

Finally, divide the study time available for each stage into specific tasks (such as "read pages of …." Or "draft outline plan"). Record these specific tasks onto your weekly plan.

Experience will show you whether you are giving yourself too much or too little time for each task.

Time management allows you to break down large tasks into less demanding smaller tasks. Providing that you keep to the specific task deadlines, you will have no difficulty meeting your assessment deadlines.

Essay Writing Techniques

1. Think carefully about the title will it inform the reader properly as to what the essay is.
2. If the title is given to you, underline key words and think carefully about the title.
3. Gather information from the radio, newspapers, Internet, class notes, course material, lecture notes and from books etc.
4. In order to get good marks it is essential that you analyse what you can on the subject.
5. Put all your thoughts and notes on paper marked rough work. It doesn't have to be in any particular shape or order. After a while your ideas, thoughts and concepts on the subject will be on paper.
6. Organise your notes into a simple outline plan. Beginning, middle and end.
7. Use headings where necessary.
8. Write a draft and afterwards come back to it, check that it looks OK and has covered everything you wanted to cover. Check this using your rough work notes.
9. If you are happy with your first draft and have corrected spelling mistakes, write a final draft.
10. You should use page numbers if you are handing in loose sheets.
11. Before handing your essay in, always check your spelling. Also the final draft must have good handwriting if not done on a computer and it be well presented.
12. Always proof read what you have done before you hand in anything.

Ancient Epic Comparative Essays

Essay 1-Trips to Underworld (Aeneid and Odyssey)

Differences

  • Description/Geography
  • O-We get very little description of Homer’s Hades in the Odyssey as Odysseus doesn’t even enter it. All we learn about is that King Minos is a judge.
  • A-In the Aeneid, on the other hand, we are overcome with description as he is guided by the Sybyl of Apollo. We learn about the River Tartarus with its “boiling whirlpools which belches sand and slime”. ( a big fortress where people are punished) and the Fields of Mourning as well as the Fields of Elysium (seen as a paradise where people play sport and music where poets and patriots end up) with descriptions of why people had ended up there e.g. “souls of infants who had lost their share of sweetness of life on its very threshold/raised their innocent hands against themselves. Also description of Cerebus (3-headed dog).
  • There is also a lot of description in both epics about certain people who are punished in the underworld. In the Odyssey, Sisiphus who tricked the god of death has to constantly push a rock uphill whereas in the Aeneid Tityos has his reforming liver eaten by a vulture.
  • Philosophy
  • O-The most we find out here is that Achilles does not want to be there when he says that he would “rather slave on earth for another man than rule down here over the breathless dead”.
  • A-Here we find out a lot more such as where a person’s soul goes when he dies, what bad people are punished for and how rebirth comes about. We learn about the River Lethe where people forget before they are reincarnated. We learn that is people are not buried they must wait 100 years.
  • Communication with Dead
  • O-They come up to him, can only talk if they drink the blood.
  • A-he goes down to them and can communicate with them all.

 

Similarities

  • Tasks performed to get in
  • O-Here he has to dig a trench, pour offerings to dead with honey, milk, wine, promise to sacrifice a barren heifer once in Ithaca, sacrifice a lamb and a black ewe, order men to flaw sheep as soon as dead come up.
  • A-Aeneas, on the other hand, must first pluck a golden bough from a tree to present to Charon as well as burying his dead comrade Misenus.
  • Elpanor vs Dido
  • O-Odysseus comes into contact with his dead comrade, Elpenor, who has yet to be buried after he drunkenly fell of the roof at Circe.
  • A-Here Aeneas meets his former lover Dido who simply ignores him when they meet and goes off with her husband which leaves Aeneas hurt. He also meets a dead comrade who is yet to be buried Palinarus.
  • Members of Family
  • O-He meets his dead mother Anticleia and tries to hold her three times but can’t.
  • A-Aeneas meets his dead father Anchises and tries to grab him three times but he can’t.
  • Literary Device
  • For both of the epics it acts as the halfway mark of the story.
  • In both, the heroes receive some important advice/prophecies. Odysseus receives information from Teiresias about getting home and “winnowing fan” and that he must not harm Helios’ cattle otherwise he will end up a broken man as well as sacrificing to Poseidon. Whereas Aeneas receives the prophecy of Rome from his father.
  • Finally, we see a change in their characters after this point. Both of them change in their own way. Odysseus becomes a better leader which is shown when he doesn’t retaliate after attacks from Suitors and Aeneas become a lot more sure of himself and even more devoted to his mission.

 

Essay 2-Compare Medb and Penelope

Similarities

  • Strong Position
  1. oPenelope is the Queen of Ithaca.
  2. oMedb is the Queen of Connacht. Ailill “I never heard of a province run by a woman except this one”.
  • Perseverance
  1. oPenelope managers to cope without Odysseus for 20 years and doesn’t give in to marrying a suitor.
  2. oMedb shows her strength in the way that she wishes to prove herself on the battlefield and also prove herself equal to her husband. She never gives up no matter how many men Cu Chulainn kills.
  • Cunning
  1. oAntinious says of Penelope “she has misguided the Suitors for nearly four years”. Uses schemes to avoid marrying them e.g Laertes’ shroud, sending letters to the Suitors, Odysseus’ bed etc.
  2. oMedb convinces men to fight for her even though they may not want to. She compliments them, gets them drunk, offers them Finnabair and even “her own friendly thighs”. She also sends handmaids to lament upon CuChulainn so that they can upon up his wounds and she gives a false offer of peace to find him.

Differences

  • Way of life
  1. oPenelope is domesticated. She lives in her palace in Ithaca and does not move from their throughout the epic.
  2. oMedb is constantly on the move as she goes from Connacht to Ulster.
  • Medb stronger than Penelope
  1. oPenelope lacks the natural character to remove the Suitors and gets ordered around by Telemachus
  2. oMedb stands up to her husband, makes all the decisions including invading Ulster in the first place. She also constantly motivates her army and gets into the thick of the battle.
  • Moral Character
  1. oPenelope is a very pure woman-never angry, rude and doesn’t cheat on Odysseus.
  2. oMedb is vain when she tries to get the Galeóin killed and she cheats on Ailill with Fergus as well as offering her “friendly thighs”.

 

Plato Essay Plans

Essay 1-Plato’s Discussion with Cephalus on old age

  • Introduction-Plato is persuaded to go to Polemarchus’s house.
  • Cephalus says how he would visit Plato if he wasn’t so old.
  • Desire for conversation/experience-How older men have more of a desire for conversation. Also they are better to speak to as they have more experience ‘they have gone before us’.
  • Most miss youth/some enjoy old age-Cephalus talks about how most miss their youth and the things that go along with it i.e. sex, drinking etc.
  • He also speaks about why many prefer the peace of old age using the example of Sophacles who said that he is ‘glad to have left it behind’.
  • Character to blame-Cephlus then says that if people are not happy in their old age that it is due to the type of character that they have.
  • Wealth in old age-Plato then asks about whether wealth makes old age easier.
  • Cephalus talks about people’s characters again when he says that ‘a bad man won’t be at peace even if he is rich’.
  • However, he says that having more money has its advantages as people are more assured that they have sacrificed to the gods etc, left debts unpaid. It also helps to avoid unintentional cheating or lying,

Essay 2-Plato’s censorship of stories in education

  • Introduction-We learn how these stories will only be censored for children and will be told to a select few under secrecy (Guardians).
  • Most importantly deals with stories about gods and heroes.
  • Plato then speaks of the types of stories which should be banned:

1.         Misrepresentation-misrepresenting the nature of gods or heroes such as what Cronos’ son did to him.

2.         Crimes-Not to show the gods acting in a evil way such as Hera being tied up by her son.

3.         Wars-Not to show any evil between the gods such as Homer’s Battle of the Gods. Tell that no quarrel ever took place between citizens.

4.         Responsibility-Gods are not responsible for everything but are only the cause of good (law). Sufferers are benefited by being punished by god.

5.         Changing/No Visions or Omens-The gods cannot be seen to take on different forms as they are already perfect, so why would they take on a worse form/no reason to tell lies. Guardians can lie but others will be punished.

6.         Mourning/Death-Any stories that talk about the terror of the after life or of people being sad after someone has dies such as River of Wailing. He says that famous men definitely cannot be seen to do this but maybe less reputable women can.

7.         Laughing-Any stories which such the characters being overcome with laughter.

8.         Mercenary-Any stories which make men out to seem bad by doing things such as rape.

9.         Just/Unjust-Any stories which claim that unjust men are happy and that just men are not.

  • Justification-Plato also goes on to justify why he bans these particular stories:
  • Plato talks about how they must leave an impression on children of as young age as it will ‘leave a permanent mark’. He says how it is for the good of the state.
  1. 1.Imitation-He doesn’t want men to see the gods misbehaving as they will think that it’s ok to do and try to imitate the gods such as quarrelling between themselves.
  2. 2.One man one job-If men see the gods changing form it will take away from the point of ‘one man, one job’.
  3. 3.Scared-Plato doesn’t want the children to be scared as they can’t distinguish between what is real and what is fake.
  4. 4.Perfect God-God is seen as perfect, if he is not it will have a bad affect on the civilians.
  5. 5.Brave-Plato doesn’t want laughing in stories as he wants the Guardians to be brave and not overcome with laughter as ‘violent laughter invites a violent reaction.
  6. 6.He also doesn’t want Guardians to be afraid of death and so bans lamentations as if they listen to them they will ‘feel no shame and show no endurance’.

Essay 3-Beginning of Primitive Community to Civilised Society

Primitive Community

  • Development-Plato says that a community develops because the individual is not self sufficient and that each cannot fully provide for their Maslan needs-Food, shelter, clothing
  • In this way everyone can work together and help provide for each other.
  • Basic Structure-Plato says that they were need a farmer, a builder, a weaver, a shoemaker and a few others to provide these basic needs.
  • One man, one job-Plato now talks about one of the main ideas put forward in The Republic which is ‘one man, one job’. This is as every person is suited to their own particular task and will ensure things are of the highest possible standard. It will also mean that a higher quantity can be produced.
  • More professions-Plato says that thy will need people to make things for the farmer or the tools for the builder-smiths and craftsmen. They will also need imports from elsewhere and so they require merchants and sailors. This will then require a market and a currency and so will need retailers. Finally they need labourers for the hard work.
  • Daily life-Plato then talks about their daily life which will include: producing, building houses. The food they have will be basic such as wheat meal. They will also be careful about how many children they have for fear of poverty.
  • They will lead a simple life with their few luxuries including salt, olives, cheese and acorns (something which Glaucon picks up on and relates to them living as pigs with no luxuries).

 

Civilised Society

  • Need for luxury-Plato now describes how it will develop into a civilised community.
  • Plato describes this new society as “fevered” in comparison to the last one which was “true/healthy”.
  • He says that as the community will want more luxuries the state will need to be enlarged and that more professions will need to come about such as artists, poets, actors , servants, doctors call-girls and new good such as clothes and furtniture etc.
  • War-Soldiers-Guardians-Plato says that to acquire more space and land they will need to go to war with surrounding countries. Due to the ‘one man, one job’ rule they will need to be full time soldiers who will be known as Auxiliaries. And later on we find that the Guardians will come from this group.
  • Plato stresses that they should be less like Athenian soldiers and more like Spartan ones with more training and practise.
  • Qualities required in Guardians-Finally, Plato quickly outlines the qualities required in the Guardians. For this he uses the watchdog analogy. They must have courage, must be high-spirited and must have the disposition of a philosopher (so that they can tell the difference between their friends and enemies).

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